Tuesday, January 20, 2009

CHANGE????/MAYBE NOT???IF PEOPLE STILL STUCK IN LOCKED FLOW ECONOMIC????





Obama unveils new presidential Web site

* Story Highlights
* President Obama's official White House Web site launched about noon ET
* The new design includes more interactive features, a photo gallery and a blog
* Visitors to the site are invited to e-mail the new president and his staff
* Expert: New site is more dynamic than the official Bush White House site
* Next Article in Politics »

By Lisa Respers France
CNN
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(CNN) -- In keeping with the theme that swept President Obama into the Oval Office, change has come to the official White House Web site.
President Obama's official White House Web site launched during his swearing-in ceremony.

President Obama's official White House Web site launched during his swearing-in ceremony.

Almost at the instant Obama was sworn in, www.whitehouse.gov relaunched with a redesign to signal a new era in government. Gone was the staid site of the Bush White House, replaced by a dynamic new site reflective of his tech-savvy successor.

The new design includes more interactive features, a prominent photo gallery displayed across the top of the site, the ability to get e-mail updates, and a White House blog. The site's "briefing room" also includes places for a weekly video address, slide shows, proclamations, and executive orders as well as news about nominations and appointments.

Visitors to the site are invited to e-mail the president and his staff, although -- perhaps in a nod to the Twittersphere, where brevity is key -- comments are limited to 500 characters.


WASHINGTON (CNN) -- Barack Obama delivered a sobering assessment of where America stands and a hopeful vision of what it can become during his inaugural address as the nation's 44th president.

President Barack Obama told a crowd at the National Mall that America's challenges are real.

President Barack Obama told a crowd at the National Mall that America's challenges are real.

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"Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time," Obama told those gathered on the National Mall -- a crowd estimated at about 2 million -- and millions more watching on television and the Internet.

"But know this, America -- they will be met," he said.

Obama acknowledged the "nagging fear" of an imminent decline of the U.S. He firmly asserted that Americans were up to reversing the trends spawning that fear, whether they be social, economic or political.

"Greatness is never a given. It must be earned," he said, further proclaiming that people who question the scale of U.S. ambitions "have forgotten what this country has already done."

His administration will "begin to responsibly leave Iraq to its people and forge a hard-earned peace in Afghanistan," Obama said, adding that he intends to engage the Muslim world in a "new way forward, based on mutual interest and mutual respect." Video Watch two-pronged message »


http://www.whitehouse.gov/

TUE, JANUARY 20, 12:01 PM EST

Change has come to WhiteHouse.gov

The first post on WhiteHouse.gov.
TUE, JANUARY 20, 12:01 PM EST

Honoring Dr. King’s Legacy and Serving America

The President, Vice President, and their families attend service events in Washington on Martin Luther King Day, one day before Inauguration.
TUE, JANUARY 20, 12:01 PM EST

The Whistle Stop Tour

Following the same route that Abraham Lincoln rode 150 years ago, President Barack Obama, First Lady Michelle Obama, Vice President Joe Biden, and Dr. Jill Biden made their way to the inauguration on a whistle stop train tour that wove its way from Philadelphia through Delaware and Maryland on its way to Washington.

SEARCH THE SITE




AGENDA

Economy

Read the President's economic agenda.

Energy & the Environment

Read the President's agenda on energy & the environment.

More Issues

Read the President's entire agenda.




Saturday, January 17, 2009

King of Jazz...



http://www.youtube.com/watch?v=yfQ0K84g9gg



http://www.boomerangshop.com/web/browse.aspx?tw=star&type=Larry

http://www.flickr.com/photos/ktp/320526529/
http://www.cmhipmag.com/images/column_s/1174986105_music%20Eng_S.jpg

http://www.angkor.com/2bangkok/2bangkok/forum/showthread.php?t=2923
http://www.pddinchildren.com/einstein.010.jpg

http://www.bangkokpost.com/60yrsthrone/jazzy/index.html







everybody here knew that our king pumipol is the wonderful geniouse king...as my son said yesterday on his musical exam practical on E guitar for his favor jazz entrance in musical campus school...that our king can play nice instrument for jazz and really can arrange music and lyric in jazz or blue also ...as native or original did!!!!!that good for me that my son has his big modeling like our king !!!myson play his jazz guitar on nice improvise but lower practice in note and percussion theory...so he must more practical on next exam if he need musical degree on bechalor...really this jazz song style be appropriate for wind flute...obo or trhombone or saxsophone as our king 's favor..my son said that the son that use for exam is appropriate for wind blow instruments ...as be used for string like my son 's favor ..it is the challenge for my son..but he can improvise so great..some of my musical friend said my son has gift!!!but maybe not ...if he still confuse about how separate between professional on boy band or how professional for musical teaching school campus objections!!!!so as he choose for his life...how or what about deepen impress inside music sharing in his future!!! only for entertain or for earning surviving!!!!as he can..i try to support him anyway...

in this time after my test from foriegn affair institue ...i got bad score in english listening as i had done...maybe low practice...also this DTEC test only for reading and listening skill for appropriate person on abroad ...but i love about writing and speaking much more...as i had been done in high and full score in external academy like this....hoe exciting to show out our opinion to others..i love these idea..i love to discuss and critisize all issues in writing and nice fluent speaking..to this world..so i still got bad score in listening...cause in cases of real time in everyday with foriegner career ..we can ask for translate or recall all statement to make more intend and decision...but if we cannot show that how i need or how we understand and need to show how differential of our diffenrence cultural in some issues...our nation be ignorance from this world...it is significant for this time to spread out your voice and opinion a loud..our thailander still be on the top of nation if we still be sticky!!!!right or wrong???

my pa said a few days that nice strawberry festifal in samoung ,chiangmai is coming on next february..i still not deside ti visit ...ask my friends for project site visit next february..still around bangkok area with irak participants...my boss suraporn sornjit ad ms pensri bigboss : now look busy in government budget and plan policy and next congress from ESCAPS 64 th brief or blueprint or plan in program number 5 about community and social development discuss..our department got lower and eradicate poverty policy from our government..so maybe this divide point for discuss with other members at UN next week..


my upset time about minute of discussion passed last couple weeks...although we can not have more progress in thai- cambodia cooperate in this year but i still impress in how poverty difference in our neighborhood...not only humanity right for serve all around neighbor by friendly and sincerely...but how our cooperate on economic benefit be growth together between us also..so why we must take political issues stucking all cooperate about academic and economic isuues or projects ..only for someone or some group 's benefit???

where are benefits for our and thier poverty 's right people in communites to survive by themseves????


sugarcane on cold day of end in january..


http://www.caraudioonline.net/Content/view.asp?MenuID=6&ContentID=309
Music of His Majesty King Bhumibol Adulyadej




Album : Music of His Majesty King Bhumibol Adulyadej
Artist :
Mahidol University Faculty Jazz Ensemble



Label/No. :
College of Music, Mahidol University/ไม่ได้ระบุรหัสแผ่น
Style :
Jazz

มี หน่วยงานของรัฐและเอกชนหลายราย ได้อัญเชิญเพลงพระราชนิพนธ์ ของพระบาทสมเด็จพระเจ้าอยู่หัว ภูมิพลอดุลยเดช ไปร้องและบรรเลงทำออกมาหลากสไตล์หลายอัลบั้มด้วยกัน แต่ที่บรรเลงโดยคนไทย และมีความเป็นสากลอยู่สมบูรณ์แบบ มีอยู่ไม่มากนัก เท่าที่ผ่านตาก็มีของเทวัญ ทรัพย์แสนยากร วง Infinity ของสราวุทธ สุปัญโณ และวงดนตรีแจ๊สของมหาวิทยาลัยมหิดล...

สำหรับ มหาวิทยาลัยมหิดลนั้น ในเรื่องของดนตรีแจ๊สเขามีชื่อเสียงมานานแล้ว และชุด Music of His Majesty King Bhumibol Adulyadej ก็เป็นอีกชุดหนึ่งที่มหาวิทยาลัยมหิดล ทำออกมาเพื่อเผยแพร่เพลงพระราชนิพนธ์ เพื่อให้ชาวต่างประเทศได้รับรู้ถึงความไพเราะและสง่างามของบทเพลงพระราช นิพนธ์ ซึ่งเป็นความภูมิใจของคนไทยทั้งชาติ โดยมีการท่องเที่ยวแห่งประเทศไทยสนับสนุนในการจัดทำ...เนื่องจากเป็นแผ่นที่ ทำมาเผยแพร่ให้ชาวต่างประเทศได้เห็นถึงพระปรีชาสามารถทางด้านดนตรีของพระบาท สมเด็จพระเจ้าอยู่หัว ดังนั้นรายละเอียด่างๆภายในแผ่นปกจะพิมพ์เป็นภาษาอังกฤษทั้งหมด


Music of His Majesty King Bhumibol Adulyadej เป็นแผ่นที่จัดทำขึ้นมาโดย วิทยาลัยดุริยางค์ศิลป์ มหาวิทยาลัยมหิดล วิทยาเขตศาลายา ในความควบคุมและดูแลโดย รศ.ดร.สุกรี เจริญสุข ซึ่งเป็นผู้รอบรู้ทางด้านดนตรีคลาสสิคและดนตรีแจ๊สอีกท่านหนึ่ง ผลงานของท่านที่นักเล่นเครื่องเสียงตามหากันมากคืออัลบั้มชุด “ร็องเง็ง” ที่นำครูแวร์เดร์ แวเด็ง และชาวคณะอัสลี ดันเด็งจากจังหวัดปัตตานี มาบันทึกเสียงกันเมื่อ 10 กว่าปีที่แล้ว...ส่วน Music of His Majesty King Bhumibol Adulyadej เป็นเพลงพระราชนิพนธ์ที่บรรเลงโดยวง Mahidol University Faculty Jazz Ensemble ซึ่งนักดนตรีส่วนใหญ่จะเป็นผู้มีความรู้ความสามารถ รวมทั้งมีประสบการณ์ทางด้านดนตรีแจ๊สมาเป็นเวลานาน


แผ่น นี้บันทึกเสียงกันเมื่อวันที่ 11-12 พฤศจิกายน 2542 ที่ Peter Pan Studio โดยมีเดนนี่ อยู่ประเสริฐ เป็นโปรดิวเซอร์และเรียบเรียงเสียงประสาน ส่วนนักดนตรีหลักที่บรรเลง ประกอบดวยนักดนตรีหลักของวิทยาลับยดุริยางค์ศิลป์ ซึ่งประกอบไปด้วย เดนนี่ อยู่ปนระเสริฐ, นภดล ธีระธาราดล และกริช บูรณะวิทยาวุฒิ รวมทั้งนักดนตรีรับเชิญอีก 2 คนคือวิทยา ปานพุ่ม และจีระศักดิ์ ปานพุ่ม


เดน นี่ อยู่ประเสริฐ โปรดิวเซอร์และเป็นผู้เรียบเรียงเสียงประสาน เล่นเปียโน...สำหรับเดนนี่ อยู่ประเสริฐ มีดีกรีทางด้านดนตรีมาจากต่างประเทศ จบปริญญาตรีทางด้านดนตรีมาจาก Cormish College of The Art และจบดนตรีสาขาแจ๊สมาจาก University of North Texas ประเทศสหรัฐอเมริกา เคยเล่นเปียโนร่วมกับนักดนตรีแจ๊สต่างประเทศมาหลายคน รวมทั้งผ่านเทศกาลดนตรีแจ๊สในต่างประเทศทาแล้หลายครั้ง เคยได้รับรางวัลในฐานะ Soloist ทางด้านเปียโนมาหลายรายการ โดยเฉพาะกับรางวัลสำคัญ Louis Armstrong Jazz Award ในปี 1988 ซึ่งในขณะนั้นเดนนี่กำลังศึกษาอยู่ในระดับไฮ-สกูลเท่านั้นเอง


นภดล ธีระธาราดล เล่นในตำแหน่งดับเบิ้งเบสส์ จบทางด้านศิลปะมาจากมหาวิทยาลัยเชียงใหม่ และเล่นดนตรีแจ๊สมาโดยตลอดเช่นกัน ปัจจุบันเป็นอาจารย์ประจำของวิทยาลัยดุริยางค์ศิลป์ มหาวิทยาลัยมหิดล


กริช บูรณะวิทยาวุทธ เล่นตำแหน่งอัลโต แซ็กโซโฟน จบปริญญาตรีคณะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยศิลปากร เล่นดนตรีแจ๊สมากงว่า 10 ปี ในอดีตเคยเป็นสมาชิกของวง Bangkok Saxophone Quartet และหัวหน้าวง The William’s Jazz Band ปัจจุบันเป็นอาจารย์สอนแซ.กโซโฟนที่วิทยาลัยดุริยางค์ศิลป์ มหาวิทยาลัยมหิดล


วิทยา ปานพุ่ม นักดนตรีรับเชิญในตำแหน่งกลอง เป็น “มือปืนรับจ้าง” ตีกลองให้กับศิลปินดังๆหลายคน และผ่านการเป็นมือกลองให้กับวงดนตรีดังๆมาหลายวง เช่นวง Tewan Novel Jazz ของเทวัญ ทรัพย์แสนยากร วง Arnon Jazz Band ของ “อาจารย์หมู” หรืออานนท์(เสียชีวิตพร้อมนักดนตรีแจ๊สต่างประเทศ 3 คน ด้วยอุบัติเหตุเรือคว่ำที่เขื่อนศรีนครินทร์ จังหวัดกาญจนบุรี) และเป็นมือกลองของวง T-Bone วงดนตรีเร็กเก้ชั้นนำของบ้านเรา


จี ระศักดิ์ ปานพุ่ม (แมว) รับเชิญมาเล่นกีตาร์ สำหรับแมวหรือจีรศักดิ์ ภาพลักษณ์ในตนหลังจะออกมาในรูปของมือกีตาร์ร็อคเต็มตัว และก่อนที่จะได้รับเชิญมาเล่นกีตาร์ในอัลบั้มนี้ อัลบั้ม Catarock ของเขาที่เป็นร็อคล้วนๆ กำลังได้รับความนิยมอย่างสูง ซึ่งว่าไปแล้วกีตาร์ “ทางร็อค” ของเขาไม่น่าจะปรับเปลี่ยนมาเป็นกีตาร์ “ทางแจ๊ส” ได้ แต่ถ้ามองย้อนหลังไปแล้ว จีระศักดิ์เป็นมือกีตาร์แจ๊สที่ดี(มาก)คนหนึ่ง เคยบันทึกเสียงกีตาร์แจ๊สในอัลบั้มเพลงแจ๊สหลายชุด ก็ไม่น่าแปลกอะไรที่ถูกรับเชิญมาเล่นกีตาร์ในเพลงพระราชนิพนธ์ชุดนี้


เพลง พระราชนิพนธ์ชุดนี้ ส่วนใหญ่จะบรรเลงออกมาในแนวแจ๊ส-บี บ็อบ เพลงที่อัญเชิญมาบรรเลงมีอยู่ทั้งหมด 11 เพลงด้วยกัน ส่วนใหญ่จะเป็นเพลงที่ไม่ค่อยได้ฟังกันบ่อยนัก และนำมาเรียบเรียงออกมาในแบบ Be-Bop


แม้ ว่าการบันทึกเสียงไม่ถึงกับยอดเยี่ยมเหมือนกับแผ่นออดิโอไฟล์ แต่คุณภาพเสียงก็เหนือกว่าเพลงไทยในยุคนี้อยู่มากทีเดียว ความโดดเด่นของการบรรเลงเพลงพระราชนิพนธ์ในชุดนี้ จะอยู่ที่การบรรเลงของนักดนตรีที่มี Unison หรือความกลมกลืนของดนตรีที่สมบูรณ์ทีเดียว และจุดเด่นอีกประการหนึ่งก็คืออารมณ์ในการบรรเลงของนักดนตรี ที่จะเข้าถึง “แก่น” แท้ๆของเพลงมากกว่าชุดที่บรรเลงโดยนักดนตรีจากเมืองนอก ไม่ว่าจะเป็นชุดขิองสังกัด DMP สังกัด Chesky Records หรือล่าสุดของสังกัด Sony/MGM ที่นำทีมโดยลาร์รี่ คาร์ลตัน


ฝีมือ ของนักดนตรีก็ไม่แตกต่างกัน...อารมณ์เพลงชุดนี้เหนือกว่า จะแพ้แผ่น Chesky และ DMP ก็ตรงที่คุณภาพการบันทึกเสียงเท่านั้นเอง! แต่อย่างไรก็ตามถ้ามองถึงคุณค่าเพลง และความสง่างามของเพลง ชุดนี้สมควรแก่การเก็บรักษาครับ และถึงแม้ว่าอัลบั้มชุดนี้จะออกวางจำหน่ายมาตั้งแต่ปี 2542 แต่ในปัจจุบันก็ยังพอหามาฟังกันได้ โดยเฉพาะที่ร้านน้องท่าพระจันทร์ ยังมีวางขายอยู่ครับ

โดย Boon Wanamoolick วันที่ 4-พฤษภาคม-2550


His Majesty and HRH Crown Prince Maha Vajiralongkorn perform a saxophone duet.

For six decades, His Majesty the King Bhumibol Adulyadej has inspired, entertained and encouraged the Thai people in countless ways. One of these is through music, and His Majesty’s songs, ranging from jazz to classical to patriotic anthems, have been performed not just in Thailand but internationally by some of the world’s leading musicians and orchestras


On Saturday nights, a group of some 10 professional and amateur musicians, most in their 60s and 70s, gather together at Klai Kangwol Palace by Hua Hin beach for a jazz rendezvous.

These well-seasoned musicians take their time to find their seats, with instruments in hand, lips to the mouthpiece, fingers to the keys, until the band leader looks up, “Ready? …”

Suddenly, as if rejuvenated by the spell of the music, the gray-haired band members come alive with youthful exuberance, adroitly creating sounds as fresh as musicians in their prime.

On the saxophone is none other than 78-year-old HM King Bhumibol Adulyadej.

Until the wee hours of Sunday morning, the King and his Au Sau Wan Suk Band members fill the sultry air of Hua Hin with smooth jazz from a wide selection of styles — Dixieland, New Orleans, Big Band chart-toppers — sometimes with an interlude of one of the King’s own compositions.

Until his retirement from public performance some two decades ago, the King had awed Thai audiences with cool jazz, then novel to Thai society, in a weekly radio broadcast of concerts from university and public stages that ran from the early 1950s through to the 1970s.

As if a king blowing his sax for the joy of his subjects isn’t remarkable enough, His Majesty also made Thailand internationally famous for his role as a highly-recognized musician, particularly in the jazz world. His name has been listed in jazz websites and jazz encyclopedias, from the esteemed Vienna music academy in Austria to the coveted Yale music school in the US.

Marking the 60th anniversary this year of his first musical composition, the prolific King has produced 48 outstanding pieces ranging from romance to march to ballet suites, in classic, blues, jazz, pop and alma maters. Many of them have become all-time classics including Saeng Tien (Candlelight Blues) Sai Fon (Falling Rain) and Porn Phi Mai (New Year’s Greeting), to name a few. And not only in Thailand, some fine selections of his compositions have reverberated across the globe in prestigious concert halls and informal settings alike as his songs have been included in the albums of some leading jazz musicians and prestigious international orchestras.

THE KING WITH MUSICAL EARS

“To glorify His Majesty’s musical talent isn’t flattery. For, from my professional point of view, the King’s musical talent is genuine,” says a close aide to His Majesty the King, himself a distinguished musician who wishes to maintain anonymity, “He is quite extraordinary as a composer and remarkable as a musician”.

An articulate composer, the self-taught King has developed music-writing skills and become accomplished in this craft. “In his early teenage years in Switzerland, he took private saxophone lessons. The rest – jazz music and song composition – was self-taught through reading and grueling practice. The technique he has developed in music writing is so comprehensive that he could excel in it by producing outstanding works of music. He composes music with a complexity of notes simultaneous with chords, and yet maintains all the requirements of music’s rules. This is a process that only a few song writers could achieve,” says his aide.

“His Majesty’s compositions,’’ he goes on, “are diversi- fied in style and mood. When His Majesty creates a romantic song, it is truly sweet and romantic. But when he produces a march, it is filled with all the bold elements required for this martial style. And both achieve a distinct beauty.”

UNWAVERING DETERMINATION

Nevertheless, what he sees beyond HM the King’s gifts is his unwavering determination. “When the King intends to do anything, he would work hard until he achieves. The same is true in his determination to acquire musical skills,” he says.

This is evident with his mastery of skills that, sometimes, outdoes professional foreign musicians during their jam sessions.

The musician recalls a visit by the Preservation Hall Jazz Band from New Orleans some years back. The impromptu
LEFT TO RIGHT: In the late 1940s, HM the King, who is self-taught, composed music while a student in Lausanne, Switzerland.

Several of HM the King's compositions reflect his love and passion for his vivacious queen.

In the early 1960s, His Majesty established the Au Sau Radio Station. He is seen here tuning the transmitter at the station.

Jamming with US jazz idols Benny Goodman (clarinet),Gene Krupa (drums) and Urbie Green (trombone).

HM the King was the first Asian composer to receive membership in Die Akademic fur Musik und Darstellende Kunst (The Institute of Music and Arts of the city of Vienna).

CLOCKWISE, FROM LEFT: For over a decade, His Majesty has inspired the public as well as university students with his cool jazz in live performances with Au Sau Wan Suk Band.

His Majesty the King performs outdoors in rural Thailand in the late 1950s. Among those enjoying the music is Her Majesty the Queen, far left.

His Majesty took the clarinet and jammed with the Dixieland Jazz Band during a reception hosted for him in Hawaii in 1960.

His Majesty the King and the “King of Rock ‘n’ Roll,” Elvis Presley, during His Majesty's visit to the US in 1960.

Echo is among the few songs written by HM the King with English lyrics.
session soared to the height of its thrilling mood so much so that one trumpeter impulsively strode down the bandstand blowing his trumpet. Simultaneously, he heard another trumpet blazing down from the stand. �He almost threw his own trumpet away with amazement as the crisp sound from the stand was so powerful and so distinctive. It was His Majesty the King who blew it�.

�Once, a young clarinetist was impressed by His Majesty�s tremendous power in performance despite his age, and asked his advice in fingering techniques to attain highpitched tones that he could not achieve. His Majesty pointed to his lips saying that it was the strength of the lip muscles, not the fingers,� he recalls.

Unlike singers, whose voices may falter with age, outstanding musicians mostly can maintain their performance if they continuously rehearse. His Majesty, he further explains, is dexterous with all wind instruments and excels in all. While in session, he would start with saxophone, switch to clarinet, trumpet and sometimes trombone.

�Not so many musicians could switch from woodwind to brass, since they require different techniques and skills. The woodwinds use reeds to make sound, while a brass instrument such as a trumpet doesn�t. Brass instruments use the lips in place of the reeds. The only famous jazz musician who is adroit in both instruments that I know of is the late Benny Carter,� he elaborates.

IMPROVISING WITH IDOLS

Over several decades, the King�s Au Sau Wan Suk Band has received such international jazz idols as Benny Goodman, Lionel Hampton, Jack Teagarden, James Moody, Benny Carter, Les Brown, Maynard Ferguson, The Preservative Hall Jazz Band, and many more as guest musicians for impromptu sessions.

It is here with these idols that one can observe the King at his very best. Unlike when he plays with his house band, whose members are mostly amateurs, His Majesty would master his jazz supremacy with all the techniques he has acquired to match with these visitors.

His Majesty�s first encounter with an international jazz idol occurred in 1960 during his state visit to the United States. His two jam sessions with Benny Goodman in New York were reported in Time in its June 18, 1960, edition:

�His Majesty went to dinner with the King of Swing, Benny Goodman, (and 94 others) at the suburban estate of New York�s Governor Nelson Rockefeller�. For 90 minutes after dinner, King Bhumibol and Benny led a foot-stomping, starch-melting jam session. Next day, the King toted a sax up to the 22nd story roof garden above Benny�s Manhattan House apartment for the fulfillment of a jazzman�s dream.... The King stood them toe-to-toe for two hours, paid his royal respects to The Shiek of Araby (in 17 eardrumming choruses), savoured Honeysuckle Rose, swung low On the Sunny Side of the Street�.�

In the article �The King of Jazz,� by Harry Rolnick, published in Sawasdee magazine in 1987, American singer Patti Page described her audience with the King: �It was like a dream come true. I had heard about his compositions, but only when I had them in my hands did I see how fine they were....�

�For two hours,� Rolnick reported, �she sang the works of His Majesty, with her personal accompanist, while the King made changes when necessary.

The late jazz icon Lionel Hampton was also quoted in the same article as saying: �He is simply the coolest king in the land.�

Recently, the world of jazz has literally recognized the King by putting his name in one of the recent editions of the Encyclopedia of Jazz that came out some four years ago, his close aide says: �If you flip to the B index, you will find his name and a short description of his works. He is the only Thai musician to earn such an honour.�

Back in 1964, he recalls, when HM the King visited Vienna, Austria, for a state visit, he attended a concert where five of his finest pieces, Kinari Suite, Sai Fon, Yam Yen, the Royal Marines March and the Royal Guards March, were performed. Not only was the audience in the concert hall appreciative of HM the King�s compositions but also music lovers across Austria, as the concert was broadcast live on radio.

After the concert, His Majesty received overwhelming accolades with a long standing ovation as the composer. Two days after the concert, he was conferred with the 23rd honourary membership of the world-renowned Die Akademic fur Musik und Darstellende Kunst (The Institute of Music and Arts of the city of Vienna). He was the first Asian composer to receive such an honour.

FROM CLASSICS TO JAZZ

As a school boy in Switzerland, His Majesty received early training in classical music. But saxophone lessons, which later became HM the King�s most favourite instrument, occurred by chance. In the book, Chaonai Lek Lek, Yuwa Kasat, by HRH Princess Galyani Vadhana, the Princess recalled that it was King Ananda who bought a secondhand saxophone for 300 Swiss Francs and intended to take lessons. At the last minute, he changed his mind and sent his younger brother, Prince Bhumibol to the class in his place.

Eventually, King Ananda joined the class with his clarinet. The one-hour, twice-weekly classes with Alsace musician Mr Weybrecht were split into two half-hour classes to accommodate King Ananda on clarinet. For two years the classes continued and often ended with an hour-long trio session with Mr Weybrecht and King Ananda on clarinet and Prince Bhumibol on saxophone.

Despite their classical music training, both King Ananda and Prince Bhumibol were more inspired by the exciting beats of blues and jazz, containing rousing rhythms and freedom of expression. The teenage royals started collecting gramophone recordings of jazz icons with King Ananda preferring Louis Armstrong and Sidney Bechet,

Blowing his trumpet over Rangsit Canal in Ayudhaya.

while Prince Bhumibol opted for Duke Ellington and Count Basie. King Bhumibol practiced his instruments to the strains of blues and jazz from these recordings. He played along with recordings of Sidney Bechet�s soprano saxophone, Johny Hodges� alto saxophone and Duke Ellington�s piano.

His Majesty�s favourite instruments are the saxophone, clarinet and trumpet. He also plays guitar and piano.

Selecting music for his Au Sau Radio audience in the mid-1950s.
AN ASPIRING COMPOSER

It was during 1946, when the then18-year-old Prince Bhumibol visited Bangkok, accompanying King Ananda, that his potential in music writing was taken seriously.

Encouraged by King Ananda, the aspiring prince started composing where his heart was � the blues. He wrote fragments of scores and showed them to HH Prince Chakrabandhu Bensiri Chakrabandhu, himself a musician, who, in turn, asked the young prince to complete the compositions and offered help with lyric composition.

In April 1946, his first composition was accomplished. It was named Saeng Tien (Candlelight Blues). Soon afterwards, his second composition, Yam Yen (Love at Sundown), rolled out, again with the help of Prince Chakrabandhu on the lyrics. By the time Prince Bhumibol tried his third piece, he smoothed the scores out almost effortlessly within a single day. Sai Fon(Falling Rain) was its name.

Over a span of five decades, the King has created 48 musical numbers. Out of them, five include lyrics and melody by the King himself: Echo, Still on My Mind, Old- Fashioned Melody, No Moon and Dream Island. Two of his compositions were created from lyrics about patriotism: Kwan Fun An Soong Sud (1971) and Rao Su (1976).

Having excellent ears for music and a quick wit, HM the King is admired for his ability to compose a song on the spur of the moment, without any assistance of a musical instrument. �Sometimes, we got music scores on a piece of scrap paper or an envelope with bars and notes on it. When the King was inspired, he would write the melody out of what he heard in his head. Later on, the melody would then be completed with a piano,� the close aide says.

How His Majesty composed the song Rak (Love, 1995) was quite extraordinary, he adds. His Majesty blew his sax while reciting the lyrics. His close aide would write down the notes from what he blew. After finishing, he asked for the rough notes to be completed, after which the arrangement was done.

Alexandra, a song to welcome Princess Alexandra, was written in a similar prompt fashion, upon the visit of the princess in 1959. In �The King of Jazz,� the late former prime minister and musician MR Seni Pramoj recalled the princess's visit: �I remember when we were waiting for Princess Alexandra to arrive. About 20 minutes before the plane landed, His Majesty came over to me with a sheet of music. He had written a welcoming song for Princess Alexandra � and he expected me to write a poem to go with the music! Of course with royal command like that, I had no choice but to write it.�

In similar impromptu fashion, Porn Phi Mai (New Year�s Greeting) was swiftly composed on New Year�s Eve, 1951. Wishing to bless his subjects with a song, His Majesty together with Prince Chakrabandhu took turns to alternately compose the melody with a saxophone until its completion that evening. The song became an instant hit and has been played during New Year celebrations for over 50 years.

THE KING�S BANDS

From his early trio sessions in his Alsace teacher�s studio in Switzerland, both King Ananda and the then Prince Bhumibol often took pleasure in musical companionship. During their visit to Thailand in 1946, King Ananda and Prince Bhumibol invited some amateur musicians for casual weekend sessions.

After King Bhumibol ascended the throne and subsequently returned to Switzerland, he continued the pastime by inviting Thai students to join music gatherings both in Switzerland and in Paris.

Upon his return to Thailand for a permanent stay in 1950, he initiated a jazz band and named it �Lai Khram.� The band members included M.L. Vimvathit Rabibadhana, M.C. Waewchakra Chakrabandhu, M.L. Dej Snidvongse, M.C. Kamolsarn Jumbala, M.C. Chumpokbutr Jumbala, M.L. Udom Snidvongse, M.R. Pong-amorn Kridakara, M.R. Seni Pramoj, Surathern Bunnag and M.L. Praphand Snidvongse. The band�s regular singers included M.C. Murathapisek Sonakul and M.C. Kajornchobkitikuna Kitiyakara.

In 1952, His Majesty established a radio station within the Amporn Satharn Palace and named it after the initials of the palace as �Au Sau Amporn Satharn Radio Station.� Through broadcasting, the dynamic Lai Khram band thrilled its radio audiences with vibrant selections of jazz numbers. It performed along with several bands including the Kaset band under the supervision of HH Prince Chakrabandhu Bensiri Chakrabandhu.

Eventually the Lai Khram band members grew in number. To accommodate them all, His Majesty expanded the band and called it Au Sau Wan Suk (Friday Au Sau). A special characteristic of the band was that His Majesty would join in on its live broadcasts every Friday evening. His Majesty would select music as well as recordings for the programme and encouraged call-in requests. Occasionally, it was His Majesty himself who personally took the calls.

On weekends, the band members would convene at Klai Kangwol Palace for private musical sessions with the King. The fun-filled event sometimes lasted till sunrise as band members marched down the beach with their instruments in the crisp morning breeze to greet the day with their jazz.

Past and present members of the band have included M.R. Seni Pramoj, M.L. Praphand Snidvongse, Uthis Dinakara na Ayudhaya, M.L. Seri Pramoj, M.L. Usni Pramoj, Manrat Srikranond, Dej Thiewthong, Thavorn Yaovakhan, Suvit Ungsavanond, Nondha Buranasomphop, Kavee Angsawanond, Apichitr Sukchand, Uab Hemaratchata, Santhad Tanthanand, Aniruth Thinnakorn na Ayudhaya and Dr Phathorn Srikranond. Singers have included Khunying Savitri Srivisarnvaja, Khunying Chamari Snidvongse na Ayudhaya, Khun Kanda Thammamongkhol, Thanpuying Suvaree Dhepakam and Pallop Suwannamalik.

During the early period of its establishment, the band ventured beyond the radio station and palace boundaries into the public, especially in universities. Apart from playing music for generations of university students, His Majesty also composed alma maters for Chulalongkorn, Thammasat and Kasetsart universities.

Eventually, the Au Sau Wan Suk band gradually faded out of public performance owing to His Majesty�s increasing engagements in rural development projects.

But the band�s jazz spirit is still alive and well. �Our band is still going strong playing regularly with the King,� says Rear Admiral ML Usni Pramoj, a privy councilor and band member. �His Majesty�s arduous tasks have been so overwhelming that we wish the music would help in releasing his stress. For everyone has to have a way to relax. And music is one of the best. We are so honoured to have the chance to serve him.�

Not only did His Majesty become an inspiration for professional musicians, but a mentor for those amateurs working in different fields. In 1986 His Majesty gathered those working with him in several rural development projects, including agriculturists, volunteer doctors, court of- ficials, aides and security officers to form a brass band, naming it �Sahai Pattana� (Development Friends). Instead of exercising as routinely scheduled, His Majesty sacrificed his evening hours to train the brass band members, with Her Royal Highness Princess Maha Chakri Sirindhorn first on the list.

THE MAESTRO

A maestro in his own right, the septuagenarian King has been lauded for his role not only as a great king but also a great musician. His splendid music legacy has left its mark on numerous albums both locally and internationally.

�Jack Teagarden asked royal permission to include a royal composition on his album. So did the Les Brown Big Band, which asked for six compositions, as well as the Claude Bolling Big Band from France and Ted Peace,� says his close aide.

Already, a committee has been set up to screen requests for public performance and recordings of the King�s compositions. �In the past, there were those who inadvertently adapted or changed the King�s compositions, which is inappropriate,� says the musician. �They should respect that anyone who composes does not wish to have their pieces rewritten. The committee, therefore, is set to screen and approve requests.�

Although the King�s latest composition, his 48th, called Menu Kai (Egg Menu) came out in 1995, he believes that it would not be the last. �I think the King is still working on his compositions. And more will be coming out to the public.�

By Hua Hin beach on Saturday nights, the indomitable music maestro still serenades his modest audience. The strains of his sax have �echoed� throughout the country, entertaining millions of his subjects, from the past to the present, who have heard and appreciated their King�s compassion through his music.

As one of his English-language compositions, Echo, goes:

��Of it is nothing left
But the echo
Though time is unforgiving
I know
Our love will
Linger on
For eternity��







Sunday, January 11, 2009

my dad, an expert to UN(un developtment prog. ) during 1990 in the field of irrigation water manage ment, on farm

my dad, an expert to UN(un developtment prog. ) during 1990 in the field of irrigation water manage ment, on farm , also working in the field of soil and water conservation, with US -operation mission. to thailand ( economic mission ) 14 yrs working with australian mission, with german mission for many years.now he retired, but still need to visit other countries. really he travel around this world by USIAD foundation. that before i borned..about 45 yrs ago..i learning about how he work as community developer in that time i am only 15 yrs old. he work in many fields ,full with many forieners that r the developers who devote for un develop inconvenionce parts of thailand. i know that time, the real professional developer must be great vision ,strong inspiral mind and high income ..from money that donate from many countries. not only budget in one government...not like now...in my area that i responsibility..someone told me before that no mobilizer need to accept these areas , cause the ploblems about cheating money in funds of villages..community need not to be criminal victims cases..the last thing, they need only the compensate by plaintiff from nation fund commitee that must be take all bad debts to court.the leader or committe of funds in village need not to ask in court about that ,,by themself,, because of ..they need to keep calm in village..really local administry units need not to concern about these funds also. they said that this fund r not service in symmetry zone.funds r not vary by estimate of population in community. but i am still prond to responsibility in these two subdistricts that i took only one year because the team of best mulnicipalities and nice strickly team of local subdistricts make me impressive in streathening! they devote in work cause they have best team of high education and experionce to help and support communities.....really two years ago before i grab these ...the funds in theses villages r failure..and none of mobilizers need to respond in this area.they got guilthy about make the community broke by criminal complain about cheating money...the leader need calm! so let the owner of money follow thier money..cause really the policy of community of developer r not on money but on people who manage money..30 yrs ago i remember that my papa and team in community developt done about group dynamic in leaders of villages,,make high potential on that..and about money ,,the first time i heard about credit union,,that 30 yrs ago...but now we r in the goverment field..just start!..rehability!

i donot know the policy about marketing positioning be on the field of mobilizer activity or not..really i had been on marketing and selling field before..i still think that this is the time working by business units or company outside controling by goverment to support and garuntee of income on agricultural or handicraft products or other ways to protect how severeity occurance happened after un successional situation in manufactoring all products from community..but i still think that our government be get nice way to solve about that..soon..


http://www.stat.go.jp/English/data/handbook/c17cont.htm

http://www.hrsdc.gc.ca/en/cs/sp/sdc/evaluation/sp-ah213e/page10.shtml

http://www.heritage.org/Research/LegalIssues/LM2.cfm

http://thelondonfog.blogspot.com/2005_03_13_thelondonfog_archive.html

http://mountainrunner.us/2005/12/
Personnel Today Awards 2007 Totaljobs.com HR Measurement Award
05 November 2007 08:00This article first appeared in Personnel Today magazine. Subscribe online and save 20%.


This award will go to the team that can best demonstrate its ability to measure and benchmark its people performance. Entrants must show how they gather data on some of the most elusive measures, including: people capability, and engagement and commitment. The judge will be expecting to see measurement being used to improve organisational effectiveness, gain competitive advantage, and develop strategy.

Award judge

Duncan Brown leads PricewaterhouseCooper

Personnel Today Awards 2007: XpertHR Award for Reward and Recognition
15 October 2007 08:00This article first appeared in Personnel Today magazine. Subscribe online and save 20%.


This award is about how reward and recognition can be strategically used and its policy measured against market and competitive pressures, including maximising staff appreciation of the package. Entries provided evidence of flexibility to cater for a diverse workforce, a clear communications plan, and how reward and recognition make a difference to the organisation and its staff performance.

Award judge

Iain McMath joined the voucher division of business services firm Sodexho in August 2002, bringing 11 years' sales and marketing experience with him. He is responsible for the overall strategic direction, oversees UK investment and development, and ensures the delivery of a high-quality service.

The sponsor

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THE AA
The team: HR
Number in team: 100
Number of employees the team is responsible for: 7,600

About the organisation The AA has been trusted by motorists since 1905. It is the largest motoring organisation in the UK, with millions of members, and more dedicated patrols than any other motoring organisation.

The challenge Changes in ownership, history and customer-led reorganisations resulted in the AA group functions and office-based pay, bonus and grading structure becoming seriously fragmented. It was failing to keep pace with the needs of the business and staff, and was out of step with the market.

What the organisation did

An HR proposal was put forward to transfer 1,000 staff from the 100 different grades, pay structures and employment contracts across six businesses, to just six staff grades and one management grade.
During 2006, through evaluation and benchmarking, a costing model was devised and union agreement reached. In 2007, proposals based on individual job performance and competency were put to staff on a voluntary basis, with a 98% level of success and minimal cost.
Benefits and achievements

Delivered a streamlined pay and reward scheme focused on delivering business performance.
Eliminated more than 70 grades and sub-grades.
Transparent HR processes have removed the threat of equal pay claims.
The business now has a consistent and flexible performance-driven pay and reward system, without any significant increase to its cost base.
HR has delivered a consistent, fair, more progressive reward and recognition package to improve staff morale and retention.
The judge says: "Resolving legacy issues around pay and grading is inevitably fractious - add in the complexity of more than 7,500 staff across multiple roles, and it becomes very high risk. The AA's approach was both innovative and fair to all stakeholders."

The British Library
The team: HR
Number in team: 30
Number of employees the team is responsible for: 2,100

About the organisation The UK's national library serves business and industry, researchers, academics and students. Each year, six million searches are generated by the British Library online catalogue, and nearly 400,000 people visit its reading rooms.

The challenge Since 2003, the library has had to remain relevant in the information revolution to maintain market share of priced services to meet rising expectations of users and government and to develop and motivate staff to meet these challenges.

What the organisation did

Developed a reward and recognition scheme in-house.
Established individual performance/achievement of objectives and pay by incorporating the need for change into the company's annual pay negotiations.
Launched a staff benefits package including a family-friendly flexible working hours scheme, childcare vouchers and an on-site nursery.
Benefits and achievements

Performance-related pay and bonuses improved performance and service delivery.
Turnover reduced from more than 16% to 10% over the past two years.
Use of web services has risen from 5.2 million unique visitors from May 2006, to 7.9 million in June 2007.
Reading room user satisfaction has exceeded original target of 96%.
Developed clear pension scheme, numerous wellbeing and financial benefits and a formidable employment package.
The judge says: "Changing culture is difficult in any environment, especially in the public sector. But working within public sector restrictions, it has used considerable skill to change to a performance culture which is measurable, while achieving buy-in from all parts of the business."

Liverpool Direct
The team: Liverpool Direct
Number in team: 2
Number of employees the team is responsible for: more than 1,000

About the organisation Liverpool Direct is the largest public/private partnership of its kind in the UK, and was formed in 2001 between BT and Liverpool City Council. It employs more than 1,000 staff working in a contact centre, ICT revenues, benefits, HR and payroll, learning and development, and service delivery.

The challenge Liverpool Direct wanted to promote a performance culture by recognising the importance of rewarding and celebrating special efforts, hard work and commitment from its staff, where they would feel challenged to do their best, and valued for their contribution.

What the organisation did

Placed greater emphasis on recognition and reward, maximised staff involvement and made better use of available technology and resources.
Introduced learning and development initiatives for all staff, including mentoring and coaching.
Developed staff involvement schemes, including focus groups where they have their say. These led to the implementation of the Liverpool Direct STARS (Say Thankyou And Reward Someone) scheme - an electronic tool which connects to the company's monthly and quarterly recognition scheme.
Benefits and achievements

The benefits service demonstrated the best ever claim processing speeds (from 28 days to 20 days in the last quarter).
100% of the calls answered by its contact centre are within 20 seconds.
HR and payroll service successfully reduced late submissions from 22,000 to 250.
More than 8,000 places were filled on learning and development courses.
93% - up from 90% - of Liverpool Direct's customers are seen in the city's one-stop shops within 15 minutes.
The judge says: "Liverpool Direct's entry was impressive as its programme is centred on developing a performance culture across the business, creating an inspirational environment that encompasses involvement and diversity against clear deliverables."

Park Lane College, Leeds
The team: Dragons' Den
Number in team: 120
Number of employees the team is responsible for: N/A

About the organisation Established in 1966, Park Lane is now the largest further education college in Leeds. It prides itself on offering the widest choice of courses with the highest quality of teaching. On 1 August 2007, Park Lane College Leeds merged with Keighley College (now Park Lane College Keighley), taking the total number of students to more than 45,000.

The challenge Senior management recognised that there was a strategic need to become more innovative at all levels, and combine this with a better way of recognising the innovative thinking that already existed within the organisation.

What the organisation did

Collaborated with Applied Acumen to launch an 'Innovation Day' scheme, where teams of staff from all parts of the college were given the task of putting forward an idea to help the college in a tangible way.
Each team was allocated a mentor, who had previously received specialised training.
The innovation day was held off-site with a panel of judges from local businesses, including O2, CBI and Barclays Bank, acting as the 'dragons'.
Benefits and achievements

Overall college performance was enhanced and staff gained confidence, resulting in raised morale.
The scheme proved that individuals are capable of achieving, and new stars have emerged.
The mentors now use their training with direct benefit to the organisation.
There is real enhancement of the college in the eyes of local business.
The judge says: "Park Lane College had the courage to step significantly outside its comfort zone and challenge its processes and structure by collaborating across the whole scope of the college to capture the talent within the business."

Virgin Mobile
The team: Virgin Mobile
Number in team: 24
Number of employees the team is responsible for: 1,350

About the organisation Virgin Mobile is the UK's largest mobile virtual network operator, with more than four million customers. It was the first consumer brand to enter the mobile marketplace when it opened for business in November 1999.

The challenge Appreciating the best in one another is a quality that is encouraged at Virgin Mobile. Shout! was launched in 2003 to encourage ideal behaviours, and create opportunities for people to thank one another for going the extra mile. But it also created the opportunity for potential abuse.

What the organisation did

Introduced Shout! slips, which are readily available from dispensers. The slips are placed into a prize pot for a draw at the end of every month. The Shout! slip makes it clear exactly why it is being given.
Offered big monthly prizes and an end-of-year draw offering holidays to Barbados, New York or Richard Branson's game reserve in South Africa.
The monthly draw takes place in front of around 20 staff each month, and the adjudicator seeks consensus and judgement regarding the validity and credibility of the Shout! slip.
Benefits and achievements

The scheme attracts on average 1,500 submissions and keeps staff engaged.
Employee satisfaction surveys show that more than 60% think the scheme is very good/excellent, while 23% think it is average.
Shout! has been held up externally as an example of what a good recognition scheme should look like.
It generates a 'wow' response during induction and has become synonymous with the company's generosity and 'people focus' for which it is renowned.
The judge says: "Encouraging performance behaviour in a sustainable way is one of the hardest tricks to master. By giving ownership to the staff and trusting them not to abuse the responsibility has reinforced company values and the dynamic behaviour associated with the business."

http://www.personneltoday.com/articles/2007/10/15/42783/personnel-today-awards-2007-xperthr-award-for-reward-and-recognition.html

ไฟบ้านเราเตี้ยไปนะเนี่ยสงสัยต้องทำเสาใหม่ให้มันสูงขนาดที่รถต่อกายกรรมสูงเท่าไหร่ก็ผ่านได้...คงดี

ที่บ้านสายไฟตั้งเสาตำ่่ำไปหรือว่ารถที่วิ่งไปมามันสูงขึ้นเรื่อยๆก็ไม่รู้ เขาจำกัดความสูงหรือเปล่านะเนี่ย สงสัยต้องทำเสาพิเศษนะเนี่ย ความที่ปลูกบ้านอยู่ตรงข้ามเสาเมนหลังเดียวโดดเด่น มีเสาเมนอญู่ฟากเดียวนะ พอโยงเข้าบ้านเลยต้องข้ามถนนซอย และซอยนี้ก็แปลก มีรถมากจัง ไม่รู้สายมันร่วงลงใกล้พื้นได้ไง ดีนะเนี่ยไม่ลากสายขาดจนมีอัคคีภัย รอดชีวิตได้ไงเนี่ย จะไปแจ้งความก็ลำบากนะ ต้องเป็นละเมิดวุ่นวาย รอคนมาซ่อมที่เขาว่าจะซ่อม กลัวมางัดหลังคาบ้านพังนะเนี่ย บ้านชั้นเดียวเสียด้วย โทรถามการไฟฟ้า เขาว่า ก็ต้องช่างไฟมาทำ เห็นการไฟฟ้าเขาว่างั้น

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- ส่วนกลาง โทร. 0-2595-1300
- แผนกบริการทั่วไป โทร. 0-2595-1320, 0-2595-1123, 0-2595-1300 ต่อ 5205
- ชำระค่าไฟฟ้า โทร. 0-2595-1315-6, 0-2920-0648, 0-2595-1306,0-2595-1300 ต่อ 5281
- แจ้งไฟฟ้าขัดข้อง โทร. 0-2595-1317, 0-2595-1300 ต่อ 5222,5333
- จัดเตรียมใบเสร็จ โทร. 0-2595-1223, 0-2595-1321
- กลุ่มงานตัดมิเตอร์ โทร. 0-2595-1300 ต่อ 5238,5338
- กลุ่มงานติดมิเตอร์ โทร. 0-2595-1210 , หผ. 0-2595-1309,0-2595-1300ต่อ5239 5339
- จุดสังเกต ก่อนถึงแยกบางใหญ่ทางไปวัดสวนแก้ว
- รถประจำทางที่ผ่าน สายท่าน้ำนนทบุรี-บางบัวทอง, สายท่าน้ำนนทบุรี-บางใหญ่

---> หน้าถัดไป
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bird watching in thailand..

Wild Watch Thailand- Luxury Nature Tours

Wild Watch Thailand- Luxury Nature Tours
Wild Watch Thailand

Wild Watch Thailand is the complete solution for Eco tourism in Thailand. Mainly focusing on Bird watching, trekking, wildlife, nature and adventures tours, in operation since 1999.


Mountain of mine

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on follow..

bosses

power feminine..

power feminine..
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